John Joubert

John Joubert was born in Cape Town in 1927. His father was a descendant of Protestant refugees from France who had settled in the Cape – then a Dutch colony – in the seventeenth century. His mother’s forebears were Dutch. Despite this parentage he had the most English of upbringings, the Cape having been ceded to England after the fall of Napoleon.

He received his earliest instruction in music at the hands of his mother who was an accomplished pianist, having studied for a time in London with Harriet Cohen. His schooling took place at an Anglican foundation run on the lines of an English public school. The music master there had been an assistant to Ivor Atkins at Worcester Cathedral. Whilst at school Joubert started composing and was very fortunate to have been able to study composition with WH Bell, a distinguished English composer who had been the Principal of the South African College of Music and a pupil of Frederick Corder, the teacher of Bax, Bantock and Holbrooke. He was also fortunate to be given the opportunity to have his earliest works performed, not only at school but also by the Cape Town Municipal Orchestra. In 1946 he was awarded a scholarship by the Performing Right Society to the Royal Academy of Music. Here his principal teachers in composition were Theodore Holland and Howard Ferguson, but he also spent a stimulating term with Alan Bush.

Whilst still at the Academy he composed his String Quartet No1 and the Divertimento for Piano Duet, which became his Op1 and Op2 respectively. He was awarded both the Frederick Corder and Royal Philharmonic Society prizes for composition. Having graduated in 1950 with an external BMus degree from Durham University he was appointed later the same year to a lectureship at Hull University, and his music soon began to be widely performed, published and broadcast. Among the more ambitious works of this period were Symphony No1, the Piano Concerto and the three-act opera Silas Marner. Some of his smaller choral works, notably the carol Torches, became popular and have remained in the repertoire ever since. He continued his academic career at Birmingham where he was appointed Lecturer, later Senior Lecturer, and eventually Reader in Music, at the University. Commissions continued to come his way, and amongst the works he composed at Birmingham were Symphony No2, the opera Under Western Eyes and the oratorio The Raising of Lazarus.

In the early 1980s he began to feel that the increasing demands of his two professions were becoming too onerous for him and he took early retirement from the University in 1986 in order to devote his time exclusively to composition. In 1991 he was awarded an honorary doctorate in music by Durham University and is currently a Senior Research Fellow at the University of Birmingham. Since his retirement he has completed, as well as numerous smaller works, two large scale projects: his third three-act opera Jane Eyre, and the full-length oratorio Wings of Faith, which received its first performance in March 2007 as part of the composer’s eightieth birthday celebrations.

Prelude on York, Op152 (2007) was premièred during the 2007 AFNOM festival in London.